2024·千島湖國(guó)際光影藝術(shù)雙年展
“光”是無(wú)形而不可觸的，但是數(shù)字時(shí)代的科技已經(jīng)賦予它更多的內(nèi)涵。它形態(tài)萬(wàn)千，光怪陸離，作為藝術(shù)創(chuàng)作的媒介，具有無(wú)限廣闊的運(yùn)用空間，能實(shí)現(xiàn)各種形態(tài)和方式的藝術(shù)作品，也是藝術(shù)與科技結(jié)合的典范。甚至有人斷言，“光”將成為未來的主要藝術(shù)形式之一。以“光媒介”為切入點(diǎn)邀請(qǐng)藝術(shù)家進(jìn)行創(chuàng)作，是表達(dá)“光影萬(wàn)象”的始于光而藏匿于光的“萬(wàn)象之光影”。
2022年6月29日，第一屆的“光影萬(wàn)象·千島湖國(guó)際光影藝術(shù)雙年展”在千島湖月光島開幕。首屆雙年展從啟動(dòng)作品征集到開幕，共收到來自全球10個(gè)國(guó)家、208位藝術(shù)家的258件作品方案，最終有26件入選作品。第一屆雙年展的主題為“澄明之xia”。2024年，第二屆“光影萬(wàn)象·千島湖國(guó)際光影藝術(shù)雙年展”即將開啟，本屆雙年展的主題為“光的姿態(tài)（HOW IS LIGHT?）”。
Light is immateriality and untouchable,but in the digital age,science and technology have given it more connotations.With its many shapes and forms,it has a wide scope for use as an artistic medium,enabling artworks of all shapes and forms to be presented.It is an exemplary combination of art and technology.Some have even asserted that light will become one of the dominant art forms in the future.We regard the light as an entry point and invite artists to create artworks.The"Light and Shadow"is a"light and shadow"that begins with light and hides in light.
On June 29,2022,“Qiandao Lake International Biennial of Light Art”opened on Moonlight Island of Qiandao Lake.The first biennial from the start of the call for entries to the opening,received a total of 258 pieces of work from 10 countries,208 artists from all over the world program,and ultimately there are 26 selected works.The theme of the first biennale was“the Summer of Clarity”,and in 2024,the second“Qiandao Lake International Biennial of Light Art”will be opened,and the theme of this biennale will be“HOW IS LIGHT?”.
主題闡述
About the Theme
除了在傳統(tǒng)視野下以“自然光”來理解“光”之外，“人造光”與其演變至當(dāng)代的“數(shù)字光”進(jìn)一步顯示了“光”的形態(tài)變遷、技術(shù)基礎(chǔ)和運(yùn)用圖景。在技術(shù)和工業(yè)層面，從傅立葉變換到芯片設(shè)計(jì)，從色彩管理到將矢量圖形轉(zhuǎn)化為算術(shù)顯示，從液晶屏到圖像處理軟件，從手持設(shè)備到體育場(chǎng)和城市廣場(chǎng)的屏幕，“光”都支撐著人類的日常生活，并主導(dǎo)了視覺文化。
在科學(xué)界，盡管對(duì)于“光”的認(rèn)識(shí)歷史悠久，但直到19世紀(jì)中葉，對(duì)于什么是光也沒有定論。英國(guó)物理學(xué)家詹姆斯·克拉克·麥克斯韋（James Clerk Maxwell）發(fā)現(xiàn)所有形式的電磁輻射都代表一個(gè)連續(xù)的光譜，并以相同的速度在真空中傳播；德國(guó)物理學(xué)家菲利普·勒納德（Philipp Lenard）提出了“光電效應(yīng)”（Photoelectric Effect）；到二十世紀(jì)初，阿爾伯特·愛因斯坦（Albert Einstein）假設(shè)光實(shí)際上可能具有一些粒子特征。愛因斯坦的理論在美國(guó)物理學(xué)家阿瑟·康普頓（Arthur H.Compton）的實(shí)驗(yàn)中得到鞏固，他證明光子具有動(dòng)量，是支持物質(zhì)和能量可以互換的理論的必要條件。法國(guó)科學(xué)家路易·維克多·德布羅意（Victor de Broglie）則將波的頻率與粒子的能量和質(zhì)量聯(lián)系起來，最終被用于解釋光的波浪狀和粒子狀特征。
然而，光不僅是當(dāng)代視覺的基礎(chǔ)，還在很大程度上與文明的根基相關(guān)。古希臘哲學(xué)家柏拉圖通過火和自然的光影，提出了“洞穴隱喻”。這是對(duì)世界之存在的哲思、認(rèn)識(shí)和倫理表達(dá)，也體現(xiàn)了有關(guān)藝術(shù)的態(tài)度，還是一個(gè)啟蒙的故事。而在古代中國(guó)，對(duì)于光的關(guān)注則與一個(gè)整體性的宇宙形成論相關(guān)，《尚書·堯典》所謂“立象日月星辰，敬授人時(shí)”，意味著通過“光”而觀天象，不僅影響了對(duì)時(shí)空的感知，還確立了“禮”。
正是考慮到“光”在工業(yè)技術(shù)演變、文明根基和時(shí)代創(chuàng)新等層面的形態(tài)，第二屆“千島湖國(guó)際光影藝術(shù)雙年展”將以“光的姿態(tài)（HOW IS LIGHT?）”為題。即我們有關(guān)“光”的“姿態(tài)”的理解，不應(yīng)局限于已有的形態(tài)，而是需要更多的可能性和更加開闊的想象空間。我們希望這些新的可能在關(guān)注“科技”“交互”和“生態(tài)”等維度的基礎(chǔ)上，提出更多的設(shè)想。
“光的姿態(tài)（HOW IS LIGHT?）”既是一個(gè)描述，更是提出一個(gè)問題：藝術(shù)（家）如何在有關(guān)“光/影”已知的理解維度接續(xù)傳統(tǒng)和開拓創(chuàng)新。這不僅關(guān)乎“光”的認(rèn)識(shí)論命題，還是藝術(shù)介入其中的方法論，以及更為關(guān)鍵的想象力問題?！肮獾淖藨B(tài)（HOW IS LIGHT?）”意味著在已知的范疇之外，還能怎么樣？
我們需要更多的想象，來照亮世界！
In addition to the traditional understanding of“natural light”,“artificial light”and its evolution to the contemporary“digital light”have further revealed the changes in the form of light,its technological basis and its application.At the technological and industrial levels,from Fourier transforms to chip design,from color management to the conversion of vector graphics into arithmetic displays,from liquid crystal screens to image-processing software,and from hand-held devices to screens in stadiums and city squares,light underpins human daily life and dominates visual culture.
In the scientific realm,despite the long history of the understanding of light,until the mid-19th century,there was no definitive definition of what light was.British physicist James Clerk Maxwell found that all forms of electromagnetic radiation represent a continuous spectrum and propagate at the same speed in a vacuum;German physicist Philipp Lenard proposed the Photoelectric Effect;by the early twentieth century,Albert Einstein hypothesized that light might actually have some particle characteristics.Einstein's theory was solidified by the experiments of American physicist Arthur H.Compton,who demonstrated that photons have momentum,a necessary condition to support the theory that matter and energy are interchangeable.French scientist Louis Victor de Broglie then linked the frequency of waves to the energy and mass of particles,which was eventually used to explain the wave-like and particle-like characteristics of light.
However,light is not only the basis of contemporary vision,but is also largely associated with the roots of civilization.The ancient Greek philosopher Plato proposed the Allegory of the Cave through fire and natural light and shadow.This is a philosophical,cognitive and ethical expression of the existence of the world,and it also embodies an attitude towards art,as well as a story of enlightenment.In ancient China,the concern for light was associated with a holistic theory of cosmogenesis.The Book of Yao,which states that the sun,the moon,the stars and the moon are established,and the time of the people is honored,implies that the observation of the heavens through light not only influences the perception of space-time,but also establishes the rites of the world.
It is in consideration of the form of light in the evolution of industrial technology,the foundation of civilization and the innovation of the times that the second“Qiandao Lake International Biennial of Light Art will be entitled“The Gestures of Light(HOW IS LIGHT?)”.That is to say,our understanding of the meanings of light should not be limited to the existing forms,but requires more possibilities and a broader space for imagination.We hope that these new possibilities,based on the dimensions of“technology”,“interaction”and“ecology”,will lead to more visions.
“The Gestures of Light(HOW IS LIGHT?)”is not only a description,but also a question:how can art continue the tradition and develop innovation in the dimension of understanding the known light/shadow.This is not only about the epistemological proposition of light,but also about the methodology of artistic intervention in it,as well as the more crucial question of imagination.“The Gestures of Light(HOW IS LIGHT?)”implies that beyond the known,what else can be done?
We need more imagination to illuminate the world!
千島湖位于浙江省杭州西郊淳安縣境內(nèi)。它是首批國(guó)家5A級(jí)旅游景區(qū)，“國(guó)家級(jí)旅游度假區(qū)”，目前正致力于建設(shè)世界級(jí)景區(qū)和世界級(jí)“湖泊+”旅游度假區(qū)。它是１９５９年為建造新安江水電站而筑壩蓄水形成的人工湖。因其山青、水秀、洞奇、石怪而被譽(yù)為“千島碧水畫中游”。湖區(qū)面積573平方公里，湖中擁有形態(tài)各異的大小島嶼1078座，平均水深34米，能見度9-14米，屬國(guó)家一級(jí)水體，被原新華社社長(zhǎng)穆青贊譽(yù)為“天下第一秀水”，整個(gè)湖區(qū)分為東北、東南、西北、西南、中心五大湖區(qū)。千島湖碧波萬(wàn)傾，千島竟秀，群山疊翠，峽谷幽深，溪澗清秀，洞石奇異，還有種類眾多的生物資源，文物古跡和豐富的土特產(chǎn)品，構(gòu)成了享譽(yù)中外的島湖風(fēng)景特點(diǎn)。
Qiandao Lake is one of the national 5A-level tourist resorts.Currently,it is making efforts to develop it into a world-class scenic area and a world-class"lake+"tourist resort.It is an artificial lake formed by damming water for the construction of the Xin'an River Hydropower Station in 1959.It is known as the"Thousand Islands and Green Water as A Painting"because of its green mountains,beautiful water,strange caves and rocks.The lake covers an area of 573 square kilometres,with 1,078 islands of different sizes,an average water depth of 34 metres and visibility of 9-14 metres,and is a national-level water body.It was praised by Mu Qing,the former president of Xinhua News Agency,as"the most beautiful water in the world".The lake is divided into five major areas,namely the northeast,southeast,northwest,southwest and centre.The lake is characterised by blue waves,thousands of islands,mountains,deep gorges,streams,caves and rocks,a wide variety of biological resources,cultural relics and rich local products.
一、展覽時(shí)間與地點(diǎn)
Time and Site
展覽開幕時(shí)間/Opening：
2024年9月13日/September 13,2024
展覽地點(diǎn)/Site：
浙江千島湖風(fēng)景名勝區(qū)月光島
Yue Guang Island,
Qiandao Lake Scenic Spot,Zhejiang
二、展覽組織機(jī)構(gòu)
Exhibition Organization
主辦單位：
·中國(guó)美術(shù)學(xué)院
聯(lián)合主辦：
·淳安千島湖旅游集團(tuán)
Organizer:
·China Academy of Art
·Chun'an County People's Government of Zhejiang Province.
承辦單位：
·中國(guó)美術(shù)學(xué)院雕塑與公共藝術(shù)學(xué)院
·浙江千島湖旅游股份有限公司
·中法文化藝術(shù)平臺(tái)
Undertaker：
.The School of Sculpture and Public Art,China Academy of Art
.Chun'an County Culture,Radio,Television,Tourism and Sports Bureau
.Chun'an Qiandao Lake Tourism Group Co.,Ltd.
.Zhejiang Qiandao Lake Tourism Co.,Ltd
.China-French Cultural and Artistic Platform
策展機(jī)構(gòu)：
·中國(guó)美術(shù)學(xué)院藝術(shù)工程與科技研究所
Curatorial Institution:
·Institute of Art Engineering and Technology,China Academy of Art
協(xié)辦單位：
·德國(guó)柏林公共藝術(shù)研究中心
·日本環(huán)境藝術(shù)學(xué)會(huì)
·泰國(guó)Silpakorn University美術(shù)學(xué)院
·紐約大學(xué)（上海校區(qū)）
·泰國(guó)PSG美術(shù)館
·荷蘭Willem de kooning美術(shù)學(xué)院Stadslab研究所
·敦煌當(dāng)代美術(shù)館
·杭州百水文化藝術(shù)有限責(zé)任公司
Co-organizers:
·Centre for Public Art Research,Berlin,Germany
·Institute of Environmental Art and Design,Japan
·School of Fine Arts,Silpakorn University,Thailand
·NYU Shanghai
·PSG Art Museum of Thailand
·Willem de kooning Academy of Fine Arts,The Netherlands
·Dunhuang Contemporary Art Museum
·Hangzhou Baishui Culture and Art Co.,Ltd.
三、展覽組織架構(gòu)
?。ㄒ唬┧囆g(shù)委員會(huì)：
藝術(shù)顧問：高世名
中國(guó)美術(shù)學(xué)院院長(zhǎng)，教授，中國(guó)美術(shù)家協(xié)會(huì)副主席、浙江美術(shù)家協(xié)會(huì)主席
Art Consultant:Prof.Gao Shiming
Dean of China Academy of Art.Vice Chairman of China Artists Association,the President of Zhejiang Artists'Association.
首席專家：楊奇瑞
中國(guó)美術(shù)學(xué)院教授，博士生導(dǎo)師。浙江省特級(jí)專家、中國(guó)美術(shù)學(xué)院學(xué)術(shù)委員會(huì)副主任、中國(guó)城市雕塑家協(xié)會(huì)副主席
Chief Expert:Prof.Yang Qirui,
He is a Special Expert of Zhejiang Province,Deputy Director of Academic Committee，China Academy of Art,Vice-Present of Chinese Urban Sculptors Association.
學(xué)術(shù)主持：班陵生
中國(guó)美術(shù)學(xué)院教授，博士生導(dǎo)師，雕塑與公共藝術(shù)學(xué)院院長(zhǎng)。中國(guó)美術(shù)家協(xié)會(huì)雕塑藝委會(huì)委員，浙江省第九屆美術(shù)家協(xié)會(huì)副主席，中國(guó)雕塑學(xué)會(huì)理事
Academic Chair:Prof.Ban Lingsheng
He is a Doctoral supervisor and Dean of the School of Sculpture and Public Art.He is a member of the Sculpture Art Committee of the Chinese Artists Association,Vice Present of the Ninth Zhejiang Artists Association and a member of the Chinese Sculpture Society.
策展人：鄭靖
中國(guó)美術(shù)學(xué)院教授，博士生導(dǎo)師，雕塑與公共藝術(shù)學(xué)院黨委書記、副院長(zhǎng)、公共空間藝術(shù)系系主任、藝術(shù)工程工作室主任
Curator:Prof.Zheng Jing
He is a Doctoral supervisor and Vice Dean of the School of Sculpture and Public Art,Head of the Department of Art in Public Space and Director of the Art Engineering Studio.
委員/Committee Member
余晨星中國(guó)美術(shù)學(xué)院雕塑與公共藝術(shù)學(xué)院副院長(zhǎng)
Yu Chenxing,Vice Dean of the School of Sculpture and Public Art,China Academy of Art.
翁劍青北京大學(xué)藝術(shù)學(xué)院教授、著名藝術(shù)理論家
Weng Jianqing,Professor,Peking University,Art Theorist.
馬欽忠著名藝術(shù)評(píng)論家、策展人
Ma Qinzhong,Art Critic and Curator
阿薩杜爾·馬克洛夫保加利亞索菲亞國(guó)家美術(shù)學(xué)院教授
Assadour Markarov Professor,National Academy of Fine Arts Sofia,Bulgaria.
讓-嘉沃蒂法國(guó)萊茵高等藝術(shù)學(xué)院藝術(shù)造型學(xué)院院長(zhǎng)
Jean F.Gavoty,Director,School of Art and Design,Ecole Supérieure des Beaux-Arts,France.
?。ǘ┙M委會(huì)：
姜君
淳安縣人民政府副縣長(zhǎng)
鄭靖
中國(guó)美術(shù)學(xué)院雕塑與公共藝術(shù)學(xué)院黨委書記副院長(zhǎng)
方必盛
淳安縣文化和廣電旅游體育局局長(zhǎng)
程劍明
淳安千島湖旅游集團(tuán)總經(jīng)理
楊一峰
浙江千島湖旅游股份有限公司總經(jīng)理
Organizing Committee:
Jiang Jun,Deputy Governor of Chun'an County People's Government
Zheng Jing,Secretary of the Party Committee and vice President of the School of Sculpture and Public Art,China Academy of Art
Fang Bisheng,Director of Chun’an County Culture,Radio,Television,Tourism and Sports Bureau
Cheng Jianming,General manager,Chun'an Qiandao Lake Tourism Group Co.
Yang Yifeng,General manager of Zhejiang Qiandao Lake Tourism Co.,Ltd
?。ㄈ┎哒箞F(tuán)隊(duì)：
鄭靖阮悅來張鐘萄
寇樹德陳芷豪王帥
徐肖華林上通劉舸帆
Curatorial team：
Zheng Jing,Ruan Yuelai,Zhang Zhongtao,Kou Shude,Chen Zhihao,Wang shuai,Xu Xiaohua,Lin Shangtong，Liu Gefan
四、創(chuàng)作原則
1.敬畏自然，保護(hù)生態(tài)
2.激活文化，充分結(jié)合地方人文背景
3.作品與湖面密切聯(lián)系，漂浮或潛于湖面，充分考慮“科技”“交互”與“生態(tài)”
Principles of Creation：
1.Respect for nature and ecological protection.
2.Activate culture and integrate the local contexts.
3.Respect for nature and ecological condition.
Renewing the culture with the local context.
Focusing on the dimensions of“Science&Technology”,“Interactivity”and“Ecology”.
五、創(chuàng)作環(huán)保要求
Environmental requirements for works
1.作品不得對(duì)湖區(qū)水質(zhì)造成污染；
The work must not cause pollution to the water quality of the lake.
2.作品不得對(duì)湖區(qū)生態(tài)平衡造成影響；
The work must not have an impact on the ecological balance of the Lake District.
3.作品不得對(duì)湖區(qū)自然景觀造成負(fù)面影響；
The work must not have a negative impact on the natural landscape of the lake area.
4.作品不能影響航線，需提前報(bào)備作品方案，并在設(shè)備外圍設(shè)置浮漂；
The work must not affect the route,and the scheme of the work must be reported in advance,and floating floats must be set up at the periphery of the equipment.
5.作品不得存在其他影響工程運(yùn)行和危害工程安全的行為，在水利工程保護(hù)范圍內(nèi)，禁止從事影響水利工程運(yùn)行、危害水利工程安全的活動(dòng)；
The work must not have any other behaviour that affects the operation of the project and endangers the safety of the project.Within the protection area of the water conservancy project,activities affecting the operation of the water conservancy project and endangering the safety of the water conservancy project are prohibited.
6.作品不能存在滴漏和冒油的情況。
The work must not have dripping or bubbling oil.
邀請(qǐng)征稿
方案征集/Call for proposal
藝術(shù)展采用邀請(qǐng)+征稿的方式，每位作者可提交1-3件作品供藝委會(huì)評(píng)選；填寫組委會(huì)統(tǒng)一制定的報(bào)名登記表并提供相應(yīng)附帶資料。作者請(qǐng)于2024年6月17日24:00時(shí)前將報(bào)名登記表電子版與參展作品方案（模板見附件）、作品視頻、個(gè)人照片、身份證（正背面）掃描件發(fā)至指定電子郵件ysgcykjyjs 163.com提交的作品方案信息要與作品報(bào)名登記表對(duì)應(yīng)，且每個(gè)方案單獨(dú)對(duì)應(yīng)一張作品展板。若同一作者投稿多個(gè)方案，則每個(gè)方案都需獨(dú)立附報(bào)名登記表、每個(gè)方案一張展板，參展作品方案展板版面尺寸為A0（橫式/見附件二），解析度應(yīng)在300DPI以上，JPG格式（展板版面不標(biāo)注任何作者信息）。組裝作品要有清楚明了的安裝圖；文件名按照作者姓名、作品名稱、規(guī)格、材料格式命名（例如：米隆《擲鐵餅者》長(zhǎng)*寬*高=100*100*152cm、青銅.JPG）；投稿作品嚴(yán)格按照投稿模板進(jìn)行投稿、報(bào)名登記表填寫清楚、不漏項(xiàng)，報(bào)送材料逾期不予受理。
The art exhibition will be held by invitation+call for entries.Each author may submit 1-3 pieces of artworks for selection by the Art Committee;fill in the registration form and provide the corresponding accompanying information.Authors should submit an electronic version of the registration form together with a proposal for the artwork to be exhibited(see attached),a video of the artwork,a personal photograph and an ID card(front and back)to ysgcykjyjs 163.com by 24:00 on June 17,2024 The information submitted should correspond to the entry form and each proposal should be accompanied by a separate exhibition board.If the same author submits more than one scheme,each scheme should be accompanied by a separate registration form and one exhibition board for each scheme.The size of the exhibition board should be A0(horizontal/see attached II),with a resolution of 300 DPI or more,in JPG format(the exhibition board should not be marked with any author information).The installation should be clearly illustrated;the file name should be in accordance with the name of the author,the name of the work,the specifications and the material format
(e.g.Miron,DiscusThrower,L*W*H=100*100*152cm,bronze.JPG);submissions should be made strictly in accordance with the submission template;the registration form should be filled in clearly and without omission;late submissions will not be accepted.
知識(shí)產(chǎn)權(quán)保護(hù)/
Protection of Intellectual Property Rights
1.參展作者申報(bào)的項(xiàng)目不得侵犯其他第三方的專利權(quán)、著作權(quán)、商標(biāo)權(quán)、名譽(yù)權(quán)或其他任何合法權(quán)益。
2.參展作者申報(bào)的項(xiàng)目所包含的任何文字、圖片、圖形、音頻或視頻資料，均受版權(quán)、商標(biāo)權(quán)和其它所有權(quán)的法律保護(hù)，未經(jīng)參展作者同意，上述資料不得公開發(fā)布、播放。
1.The application must not infringe on the patent,copyright,trademark,reputation or any other legal rights of third parties.
2.Any text,images,graphics,audio or video materials contained in the application are protected by copyright,trademark and other proprietary rights and may not be published or broadcast without the consent of the exhibiting artist.
時(shí)間計(jì)劃/Timeline
2024年6月17日24:00前
藝術(shù)家提交作品方案
2024年6月25日前
公布入選方案
2024年9月13日前
完成作品的制作與現(xiàn)場(chǎng)安裝
By 24:00,June 17,2024
Artists submit proposals
By June 25,2024
Announcement of Short list
By September 13,2024
Complete the production
and on-site installation of the works
方案提交/Submission
1.報(bào)名登記表（附件一）
2.藝術(shù)作品方案
（方案效果圖（作品展板附件二）/視頻）；
3.個(gè)人照片（1張）、身份證（正背面）掃描件。
4、藝術(shù)家個(gè)人簡(jiǎn)歷
1.Registration form(attached I).
2.Proposals
(programme renderings,work display boards/video).
3.Scanned copy of personal photograph(1),
ID card(front and back).
4.CVs of the artist.
作品提交日期：2024年6月17日24:00前作品提交郵箱：ysgcykjyjs@163.com
Submission date:June 17,2024 Works to be submitted to ysgcykjyjs@163.com
征稿咨詢電話：
Phone number:(+86)
報(bào)名附件鏈接：
(點(diǎn)擊進(jìn)入鏈接)
https://pan.baidu.com/s/1IXmX5TehhifdTSsNxf_dbg?pwd=2024
提取碼：2024
Registration attachment Link:
(請(qǐng)復(fù)制到瀏覽器打開)
https://u.pcloud.link/publink/show?code=kZwHQj0ZQPKTk9B1PDkczgkuH64j4ybB74g7
https://mp.weixin.qq.com/s/lkogv5SuCoLzcs9sftNZdw
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